Tuesday, November 6, 2012

The Perfect Hope - Nora Roberts




Book Description

 November 6, 2012
A new novel of starting over and star-crossed love.

#1 New York Times bestselling author Nora Roberts introduces you to the Montgomery brothers—Beckett, Ryder, and Owen—as they bring an intimate bed-and-breakfast to life in their hometown.

Ryder is the hardest Montgomery brother to figure out—with a tough-as-nails outside and possibly nothing too soft underneath. He’s surly and unsociable, but when he straps on a tool belt, no woman can resist his sexy swagger. Except apparently Hope Beaumont, the innkeeper of his own Inn BoonsBoro…

As the former manager of a D.C. hotel, Hope is used to excitement and glamour, but that doesn’t mean she can’t appreciate the joys of small-town living. She’s where she wants to be—except for in her love life. Her only interaction with the opposite sex has been sparring with the infuriating Ryder, who always seems to get under her skin. Still, no one can deny the electricity that crackles between them…a spark that ignited with a New Year’s Eve kiss.

While the Inn is running smoothly, thanks to Hope’s experience and unerring instincts, her big-city past is about to make an unwelcome—and embarrassing—appearance. Seeing Hope vulnerable stirs up Ryder’s emotions and makes him realize that while Hope may not be perfect, she just might be perfect for him… 

Editorial Reviews

About the Author

Nora Roberts is the number one New York Times bestseller of more than 200 novels. With over 400 million copies of her books in print, she is indisputably one of the most celebrated and popular writers in the world. She has achieved numerous top five bestsellers in the UK, including number one for Savour the Moment, and is a Sunday Times hardback bestseller writing as J. D. Robb.

Excerpt. © Reprinted by permission. All rights reserved.


Chapter One

With a few groans and sighs, the old building settled down for the night. Under the star-washed sky its stone walls glowed, rising up over Boonsboro's Square as they had for more than two centuries. Even the crossroads held quiet now, stretching out in pools of shadows and light. All the windows and store fronts along Main Street seemed to sleep, content to doze away in the balm of the summer night.
She should do the same, Hope thought. Settle down, stretch out. Sleep.
That would be the sensible thing to do, and she considered herself a sensible woman. But the long day left her restless—and, she reminded herself—Carolee would arrive bright and early to start breakfast.
The innkeeper could sleep in.
In any case, it was barely midnight. When she'd lived and worked in Georgetown, she'd rarely managed to settle in for the night this early. Of course, then she'd been managing The Wickham, and if she hadn't been dealing with some small crisis or handling a guest request, she'd been enjoying the nightlife.
The town of Boonsboro, tucked into the foothills of Maryland's Blue Ridge Mountains, might have a rich and storied history, it certainly had its charms—among which she counted the revitalized inn she now managed—but it wasn't famed for its nightlife.
That would change a bit when her friend Avery opened her restaurant and tap house. And wouldn't it be fun to see what the energetic Avery MacTavish did with her new enterprise right next door—and just across The Square from Avery's pizzeria.
Before summer ended Avery would juggle the running of two restaurants, Hope thought.
And people called her an overachiever.
She looked around the kitchen—clean, shiny, warm and welcoming. She'd already sliced fruit, checked the supplies, restocked the refrigerator. So everything sat ready for Carolee to prepare breakfast for the guests currently tucked in their rooms.
She'd finished her paperwork, checked all the doors and made her rounds checking for dishes—or anything else out of place. Duties done, she told herself, and still she wasn't ready to tuck her own self in her third-floor apartment.
Instead, she poured herself an indulgent glass of wine, and did a last circle through The Lobby, switching off the chandelier over the central table with its showy summer flowers.
She moved through the arch, gave the front door one last check before she turned toward the stairs. Her fingers trailed lightly over the iron banister.
She'd already checked The Library, but she checked again. It wasn't anal, she told herself. A guest might have slipped in for a glass of Irish or a book. But the room was quiet, settled like the rest.
She glanced back. She had guests on this floor. Mr. and Mrs. Vargas—Donna and Max—married twenty-seven years. The night at the inn, in Nick and Nora, had been a birthday gift for Donna from their daughter. And wasn't that sweet?
Her other guests, a floor up in Wesley and Buttercup, chose the inn for their wedding night. She liked to think the newlyweds, April and Troy, would take lovely, lasting memories with them.
She checked the door to the second-level porch, then on impulse unlocked it, and stepped out into the night.
With her wine, she crossed the wide wood deck, leaned on the rail. Across The Square, the apartment above Vesta sat dark—and empty now that Avery had moved in with Owen Montgomery. She could admit—to herself anyway—she missed looking over and knowing her friend was right there, just across Main.
But Avery was exactly where she belonged, Hope decided, with Owen—her first, and as it turned out, her last boyfriend.
Talk about sweet.
And she'd help plan a wedding—May bride, May flowers—right there in The Courtyard, just as Clare's had been this past spring.
Thinking of it, Hope looked down Main toward the bookstore. Clare's Turn The Page had been a risk for a young widow, with two children and another on the way. But she'd made it work. Clare had a knack for making things work. Now she was Clare Montgomery, Beckett's wife. And when winter came again, they'd welcome a new baby to the mix.
Odd, wasn't it, that her two friends had lived right in Boonsboro for so long, and she'd relocated only the year—not even a full year yet—before. The new kid in town.
Now, of the three of them, she was the only one still right here, right in the heart of town.
Silly to miss them when she saw them nearly every day, but on restless nights she could wish, just a little, they were still close.
So much had changed, for all of them, in this past year.
She'd been perfectly content in Georgetown, with her home, her work, her routine. With Jonathan, the cheating bastard.
She'd had good, solid plans, no rush, no hurry, but solid plans. The Wickham had been her place. She'd known its rhythm, its tones, its needs. And she'd done a hell of a job for the Wickhams, and their cheating bastard son, Jonathan.
She'd planned to marry him. No, there'd been no formal engagement, no concrete promises, but marriage and future had been on the table.
She wasn't a moron.
And all the time—or at least in the last several months—they'd been together, with him sharing her bed, or her sharing his, he'd been seeing someone else. Someone of his more elevated social strata you could say, she mused, with lingering bitterness. Someone who wouldn't work ten and twelve hour days, and often more—to manage the exclusive hotel, but who'd stay there, in its most elaborate suite, of course.
No, she wasn't a moron, but she'd been far too trusting and humiliatingly shocked when Jonathan told her he would be announcing his engagement—to someone else—the next day.
Humiliatingly shocked, she thought again, particularly as they'd been naked and in her bed at the time.
Then again, he'd been shocked, too when she'd ordered him to get the hell out. He genuinely hadn't understood why anything between them should change.
That single moment ushered in a lot of change.
Now she was Inn BoonsBoro's innkeeper, living in a small town in Western Maryland, a good clip from the bright lights of the big city.
She didn't spend what free time she had planning clever little dinner parties, or shopping in the boutiques for the perfect shoes for the perfect dress for the next event.
Did she miss all that? Her go-to boutique, her favorite lunch spot, the lovely high ceilings and flower-framed little patio of her own townhouse? Or the pressure and excitement of preparing the hotel for visits from dignitaries, celebrities, business moguls?
Sometimes, she admitted. But not as often as she'd expected to, and not as much as she'd assumed she would.
Because she had been content in her personal life, challenged in her professional one, and the Wickham had been her place. But she'd discovered something in the last few months. Here, she wasn't just content, but happy. The inn wasn't just her place, it was home.
She had her friends to thank for that, and the Montgomery brothers along with their mother. Justine Montgomery had hired her, on the spot. At the time Hope hadn't known Justine well enough to be surprised by her quick offer. But she did know herself, and continued to be surprised at her own fast, impulsive acceptance.
Zero to sixty? More like zero to ninety and still going.
She didn't regret the impulse, the decision, the move.
Fresh starts hadn't been in the plan, but she was good at adjusting plans. Thanks to the Montgomerys the lovingly—and effortfully—restored inn was her home and her career.
She wandered the porch, checking the hanging planters, adjusting—minutely—the angle of a bistro chair.
"And I love every square inch of it," she murmured.
One of the porch doors leading out from Elizabeth and Darcy opened. The scent of honeysuckle drifted on the night air.
Someone else was restless, Hope thought. Then again, she didn't know if ghosts slept. She doubted if the spirit Beckett had named Elizabeth for the room she favored would tell her if she asked. Thus far Lizzy hadn't deigned to speak to her inn-mate.
Hope smiled at the term, sipped her wine.
"Lovely night. I was just thinking how different my life is now, and all things considered, how glad I am it is." She spoke in an easy, friendly way. After all, the research she and Owen had done—so far—on their permanent guest had proven Lizzy—or Eliza Ford when she'd lived—was one of Hope's ancestors.
Family, to Hope's mind, ought to be easy and friendly.
"We have newlyweds in W&B. They look so happy, so fresh and new somehow. The couple in N&N are here celebrating her fifty-eighth birthday. They don't look new, but they do look happy, and so nice and comfortable. I like giving them a special place to stay, a special experience. It's what I'm good at."
Silence held, but Hope could feel the presence. Companionable, she realized. Oddly companionable. Just a couple of women up late, looking out at the night.
"Carolee will be here early. She's doing breakfast tomorrow, and I have the morning off. So." She lifted her glass. "Some wine, some introspection, some feeling sorry for myself circling around to realizing I have nothing to feel sorry for myself for." With a smile, Hope sipped again. "So, a good glass of wine.
"Now that I've accomplished all that, I should get to bed."
Still she lingered a little longer in the quiet summer night, with the scent of honeysuckle drifting around her.

When Hope came down in the morning, the scent was fresh coffee, grilled bacon—and if her nose didn't deceive her, Carolee's apple-cinnamon pancakes. She heard easy conversation in The Dining Room. Donna and Max, talking about poking around town before driv...


I have been reading Nora Roberts for years and always look forward to her new trilogies and the Inn Boonsboro Trilogy I think is her best one yet. I loved how she really made you see the town and the inn as it was restored. I loved the characters and how they related. I cannot wait for her next series to start and plan to read this through again.

Wednesday, October 31, 2012

Star Wars




So who saw that one coming? I certainly didn't. The revelation yesterday that Disney has purchased Lucasfilm and new Star Wars movies are in the pipeline is sparking all sorts of thoughts, but my overall reaction is one of joy.
Ever since rumours emerged more than three decades ago that Lucas envisionedStar Wars as a nine-part saga, fans have salivated over the idea of more Star Warsmovies at every stage of the game.
In the build up to the release of the first prequel in 1999, Lucas came out and said it was only ever supposed to be a six-part saga, and that with 2005's Revenge of the Sith, the saga was complete.
Numerous books and comics have been published that were set after Return of the Jedi - the "final" movie, chronologically-speaking - but the prospect of a movie set in the post-Jedi Star Wars universe has generally felt highly unlikely.
Until yesterday.
While nobody is confirming that Episode VII will pick up where Jedi left off or that it will even focus on the continuing adventures of the Skywalker family, it's difficult not to hope that this is indeed the case.
Harrison Ford, Carrie Fisher and Mark Hamill might seem a little old to return to these characters at this point, but if the story has to be shaped to suit their advancing years, so be it.
And while many might recoil at the idea of re-casting the characters (Hayden Christenson as Luke!), that wouldn't bother me too much. Re-casting such iconic roles seems mellow compared to the constant digital re-jigging Lucas applies to the films - he has long-since established this world isn't sacred ground.
As Lucasfilm President Kathleen Kennedy (whom it should be noted has produced most of Spielberg's films) points out in the video above, Lucas will maintain an advisory role in the upcoming films, although to what extent is anybody's guess.
Although he completely earned the right by coming up with the idea, Lucas' creative stranglehold on the Star Wars property has been so pervasive for so long, we'd almost been rendered unable to see beyond it. Which is why this relinquishing of control feels like such a surprise.
When the Lucas-written and directed prequels were released, it became apparent that Lucas was now surrounded by yes-men who were too afraid to challenge his ideas, unlike the creative collaborations that resulted in The Empire Strikes Back(often recognised as the best Star Wars film) and Return of the Jedi, neither of which Lucas directed himself.
And while it's probably appropriate that Lucas will get to put in his two cents on the new projects, I couldn't be happier that other people will now get a chance to tell Star Wars stories on the big screen.
Lucas apparently approves the plots of the stellar CGI Cartoon Network seriesStar Wars: The Clone Wars, but if that show has proved nothing else, it's that fresh creative blood can result in great Star Wars stories. Now in its fifth season, the programme really is quite good, often coming across as more faithfully 'Star Wars-ian' than the prequels.
So who should make the new ones? Kennedy also mentions in the video above that they are meeting with writers now to discuss ideas for a new trilogy. Oh to be a fly on the wall of those meetings.
One person I think has earned the right be involved is Dave Filoni, the Star Warssuperfan who's been running the Clone Wars TV show for all of its five seasons.
He's demonstrated time and again an ability to seamlessly integrate new elements into the Star Wars universe while remaining reverent towards what came before him.
But if I really had my way, I would hand the whole thing over to animator Genndy Tartakovsky, who was behind Star Wars: Clone Wars, the traditionally animated predecessor to Filoni's show.
Genndy's devotion to all things Star Wars comes across in much of his work (such as the cult cartoon Samurai Jack), and he's a forward-thinking creative mind with an unparalleled sense of design. It's doubtful either of these two animators will end up involved, but a guy can dream.
It's also tempting to picture big name directors (and admitted Star Wars fans) like David Fincher or Christopher Nolan becoming involved, but the cynic in me says they'll end up picking someone with less of an authorial stamp. Again, it's unlikely, but how great would it be if Spielberg directed a Star Wars film?
I guess I shouldn't be surprised that a new Star Wars film is coming - the market simply wouldn't allow a brand with this much prominence to remain dormant for long.
There are many variables currently in play, but the potential for greatness is shining through at this point for me. Years after he turned into the proverbial Emperor With No Clothes, Lucas stepping away from Star Wars is the best thing that could've happened to it.
I can't wait to see what happens next.

Tuesday, October 23, 2012

The Racketeer - John Grisham




Book Description

 October 23, 2012
Given the importance of what they do, and the controversies that often surround them, and the violent people they sometimes confront, it is remarkable that in the history of this country only four active federal judges have been murdered.

Judge Raymond Fawcett has just become number five.


Who is the Racketeer? And what does he have to do with the judge’s untimely demise? His name, for the moment, is Malcolm Bannister. Job status? Former attorney. Current residence? The Federal Prison Camp near Frostburg, Maryland.

On paper, Malcolm’s situation isn’t looking too good these days, but he’s got an ace up his sleeve. He knows who killed Judge Fawcett, and he knows why. The judge’s body was found in his remote lakeside cabin. There was no forced entry, no struggle, just two dead bodies: Judge Fawcett and his young secretary. And one large, state-of-the-art, extremely secure safe, opened and emptied.

What was in the safe? The FBI would love to know. And Malcolm Bannister would love to tell them. But everything has a price—especially information as explosive as the sequence of events that led to Judge Fawcett’s death. And the Racketeer wasn’t born yesterday . . .

Nothing is as it seems and everything’s fair game in this wickedly clever new novel from John Grisham, the undisputed master of the legal thriller.

Editorial Reviews

Amazon.com Review

The Racketeer  was one of Amazon's mystery/thriller Best Books of the Month picks for October. A Q&A with the author:
Grisham3Describe The Racketeer in one sentence. 
A federal judge is murdered, and our hero in prison knows who did it, and why.
What's on your nightstand/bedside table/Kindle?
Ian McEwan’s latest novel, Sweet Tooth; a friend’s manuscript; and a Kindle Fire loaded with daily newspapers, magazines, and about three dozen books.
Top 3-5 favorite books of all time?
The Adventures of Tom Sawyer; A Confederacy of Dunces; The Grapes of Wrath; Little Drummer Girl
Important book you never read?
There are so many. Atlas Shrugged, though I’ve been told for the past 30 years that it’s unreadable.
Book that made you want to become a writer?
To Kill a Mockingbird made me question race for the first time in my young, insulated, white life. It also inspired me to try and write something great.
Memorable author moment?
I received a note from Harper Lee, along with an autographed first edition of To Kill A Mockingbird.
What's your most prized/treasured possession?
A first edition of The Adventures of Tom Sawyer, signed by the author.
Pen envy - book you wish you'd written?
Harry Potter – he’s the only dude I can’t outsell.
Author crush - who's your current author crush?
I’m 57 years old.  Crushes are for sophomores.
What's favorite method of procrastination? Temptation? Vice?
Don’t get me started. I can waste enormous amounts of time, and with no guilt whatsoever. Currently, I’m doing so on the golf course, playing a game that I took up only four years ago and is driving me nuts.
What do you collect?
First editions, primarily Faulkner, Hemingway, and Steinbeck.
Best piece of fan mail you ever got?
The letter began: “As the newly elected President of the Arkansas Bar Association, it is incumbent upon me to suggest various topics for your future novels……” I don’t think I finished reading the letter.
What's next for you?
I’m hard at work on Theo 4 -  “Theodore Boone, The Activist.”
>See all of John Grisham's books.
>Read a New York Times review of The Racketeer
(author photo by Bob Krasner)

Review

Praise for THE LITIGATORS:'Grisham is brilliantly comic in a novel that is full of zest and brimming with memorable characters and rich storylines' -- The Sunday Times 'A superbly plotted legal thriller' -- Sunday Express Praise for John Grisham:'The best thriller writer alive' -- Ken Follett, Evening Standard 'Grisham is a superb, instinctive storyteller' -- The Times
John Grisham's work runs the gambit. Some serious, some funny, some nostalgic, and some sporty. But no matter what you know you're in for a good read. This one is no different. 'The Racketeer' falls somewhere between the seriousness of 'The Confession' and the fun of 'The Litigators'.

Our friend, Malcolm Bannister, is a lawyer who is in jail (I'll pause for your jokes here) for a crime he didn't commit. (Another pause). Fortunately for him the unfortunate demise of a Federal judge and his lady (hot, young, sexy, hot, you get the picture) friend is his key for early release. No clues, no witnesses, no leads, and no evidence. These frivolous minor details don't bother the FBI and they don't really bother Malcolm. He knows the truth and the Feds will pay dearly for it. Of course when dealing with the Feds and a jailed lawyer, "truth" is more of a mythological punchline than anything else.

While 'The Racketeer' is a fast read make yourself slow down, especially near the end. There are many pieces to this puzzle and you'll miss it if you read at the speed in which John writes. I mentioned earlier that our boy Malcolm goes through some pretty extraordinary lengths to get what he wants and that IS NOT an exaggeration. But then the question we must ask ourselves is; what is the price of freedom? What would you pay for or suffer through just for the chance to be free? You're about to find out. Oh... and what if that taste of freedom was seasoned with a bit of revenge?

Malcolm has people to pay back, but before he does that he must deal with this little issue of piecing together a plan with more moving parts than the space shuttle and a failure rate of my high school algebra class. Will it work? Well that depends on your working definition of "work". Either way it'll be fun. And it was fun. With every new Grisham book there are always the litany of superlatives that follow it. "King of the legal thriller", "America's greatest storyteller", "John Grisham is uber-popular", "John Grisham is Jason's best friend", "John is a magnificent storyteller". While I don't doubt these claims, I've never once bought a book based on a five word praise fest. I rely on other book lovers like myself. You don't know me, but I ask you to trust me on this; Grisham is the man and he's earned it. That's my eight word praise fest.

Thursday, October 18, 2012

Heart of Ice - Lis Wiehl


Book Description

 April 5, 2011
Elizabeth Avery could easily be the girl next door. But what she has planned will make your blood run cold.
At first glance, the crimes appear random. Arson. Theft. Fraud. Murder. But these are more than random crimes. They’re moves in an increasingly deadly game. And the one element they have in common: a woman who is gorgeous, clever . . . and lethal.
Elizabeth Avery has a winsome smile and flawless figure, but underneath is a heart of ice. She’s a master manipulator, convincing strangers to do the unthinkable. And she orchestrates it all without getting too close. Until now.
When Elizabeth ruthlessly disposes of an inquisitive young reporter, her crime catches the attention of Federal Prosecutor Allison Pierce, FBI Special Agent Nicole Hedges, and crime reporter Cassidy Shaw. They know they’re dealing with a cold-blooded murderer who could strike at any time. What they don’t know is that they’re already on a first-name basis with the killer.
And one of them may be next on her list.

Editorial Reviews

From Publishers Weekly

Fans of James Patterson's Women's Murder Club books will find the same friendly crime-solving vibe in Wiehl and Henry's appealing third Triple Threat novel (after Hand of Fate) featuring federal prosecutor Allison Pierce, FBI special agent Nicole Hedges, and Portland, Ore., TV crime reporter Cassidy Shaw. At the Portland Fitness Center, Cassidy joins the boot camp class run by the beautiful instructor Elizabeth Avery, unaware that Elizabeth served time in a juvenile facility for two horrific crimes committed at age 13 when she was known as Sissy Hewsom. The icy sociopath has already had her fellow former inmate, firebug Joey Decicco, burn down the home of Sara McCloud, her gorgeous lawyer boyfriend's money-grubbing ex-wife, and Elizabeth now wants Sara and Sara's small son, Noah, dead. The authors smoothly bring together the various story lines, including a sharp subplot centered on Nic's breast cancer diagnosis. (Apr.)
(c) Copyright PWxyz, LLC. All rights reserved.

Review

Fans of James Patterson's Women's Murder Club books will find the same friendly crime-solving vibe in Wiehl and Henry's appealing third Triple Threat novel (after Hand of Fate) featuring federal prosecutor Allison Pierce, FBI special agent Nicole Hedges, and Portland, Ore., TV crime reporter Cassidy Shaw. At the Portland Fitness Center, Cassidy joins the boot camp class run by the beautiful instructor Elizabeth Avery, unaware that Elizabeth served time in a juvenile facility for two horrific crimes committed at age 13 when she was known as Sissy Hewsom. The icy sociopath has already had her fellow former inmate, firebug Joey Decicco, burn down the home of Sara McCloud, her gorgeous lawyer boyfriend's money-grubbing ex-wife, and Elizabeth now wants Sara and Sara's small son, Noah, dead. The authors smoothly bring together the various story lines, including a sharp subplot centered on Nic's breast cancer diagnosis. -- Publishers Weekly

Wiehl and Henry have a knack for creating villains you wouldn't want to run across in your daily life. ...This novel is an exciting addition to the Triple Threat Club series. 4 stars. --Romantic Times
About the Book The Triple Threat Club novels follow three fiercely intelligent women--a TV reporter, a Federal prosecutor and an FBI agent--as they investigate crimes as current as today's headlines. The Triple Threat women have faced intense situations before...but never such a cunningly cold-blooded murderer. Elizabeth Avery is a stunningly beautiful woman. But her perfectly managed exterior hides the ice cold heart of a killer. She ingeniously manipulates everyone who crosses her path to do exactly as she wishes-from crime reporter Cassidy Shaw, who thinks Elizabeth is her new best friend, to a shy young man Elizabeth persuades to kill for her. As Elizabeth leaves a trail of bodies in her wake, Federal prosecutor Allison Pierce and FBI agent Nicole Hedges must piece together clues from seemingly unrelated crimes. Can they stop her before she reaches her unthinkable, ultimate end-game?

My Review:

My favorite aspect of the Triple Threat Series is the realness of the three main characters. Though they each have high profile jobs and face untelling dangers, they are regular women, struggling with self-esteem, weight, and even a possible cancer diagnoses. Their reactions are believable and endearing, the bond between them never in question, even if circumstances create a brief distance between them.

This particular story is action-packed, with countless twists that keep the pages turning quickly. Almost three or four separate stories in one, the evil mind of Elizabeth took her places I could not have possibly guessed in advance. A master manipulator, she found ways to have others do her dirty work for her, so it came as a surprise when she took matters into her own hands, so to speak. A serial killer who made sure she could never be to blame.

I would not categorize Heart of Ice as Christian Fiction, so much as a great suspense novel. There are a few moments where Allison or Nicole question their faith, and prayer becomes a greater part of the story at the end, but it was not a common undertone throughout the story. There are many adult elements, handled as tastefully as possible while still painting a true picture of what these characters were capable of doing. Obviously, the numerous, seemingly unrelated crimes and murders take center stage, making this more of a thriller than what I would refer to as Christian Fiction.

I felt that the reader was left hanging a bit with the Foley case, the case that pits the opposing viewpoints of the three women from the beginning of the story. As it was ongoing, they worked through their doubts, but it became anti-climactic and had nothing to do with the rest of the plot, so it almost became a distraction.

Other than this, I highly recommend any of the books in the Triple Threat Series because they are well written and intriguing, this one, even more exciting and disturbing than the last.


Wednesday, October 17, 2012

The Twelve - Justin Cronin




Book Description

 October 16, 2012
The end of the world was only the beginning.

In his internationally bestselling and critically acclaimed novel The Passage, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with . . .

THE TWELVE

In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.

One hundred years in the future, Amy and the others fight on for humankind’s salvation . . . unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.

A heart-stopping thriller rendered with masterful literary skill, The Twelve is a grand and gripping tale of sacrifice and survival.

PRAISE FOR JUSTIN CRONIN’S THE PASSAGE
 
Named one of the Ten Best Novels of the Year by Time and Library Journal, and one of the Best Books of the Year byThe Washington Post • Esquire • U.S. News & World Report • NPR/On Point • St. Louis Post-Dispatch
 
“Magnificent . . . Cronin has taken his literary gifts, and he has weaponized them. . . . The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”—Time

“Read this book and the ordinary world disappears.”—Stephen King

“[A] big, engrossing read that will have you leaving the lights on late into the night.”—The Dallas Morning News

Editorial Reviews

Amazon.com Review

An Exclusive Essay by Author Justin Cronin

Justin Cronin
Readers often ask where I get my ideas. The better question would be: Where don’t I?
Many people know that The Passage was born from a challenge laid down by my eight-year-old daughter to write the story of “a girl who saves the world.” This wasn’t exactly what I wanted to hear—it seemed a trifle ambitious—but a dare is a dare. For the next three months she joined me on my daily jog, following along on her bicycle, while the two of us hashed out the plot. As the weeks passed, I realized we were onto something much better than the book I was supposed to be writing. I put that book aside, wrote the first chapter of The Passage, and never looked back.
So don’t ever think you shouldn’t listen to your kids.
But my daughter’s challenge wasn’t the only inspiration. When I write a novel, my goal is to put absolutely everything I have into its pages, right down to the interesting thing that happened yesterday. I know I’m done when my mind feels as empty as a leaky bucket. So many influences, real and imagined, went into The Passage that I couldn’t list them if I tried. But one memory that stands out is the night my family and I tried to flee Houston in advance of hurricane Rita. Apparently, about a million other people had the same idea. After five hours on the road, we’d made it all of sixty miles. The highways were clogged with cars that had long since run out of gas; every minimart and gas station had been picked clean. I jumped the median and made it home in a little under an hour, my gas gauge floating just above ‘E’.
Rita missed Houston, slamming into a less-inhabited section of Texas and Louisiana coastline. But the experience of being in a large urban evacuation, with its feeling of barely-bottled panic, was one I’ll never forget, and is everywhere in the pages of The Passage.
So where did The Twelve come from?
Again, many places. But if I had to pick one source, it would be the strong women in my life. No bones about it: Gentlemen, if you doubt for a second that women are tougher than we are, go watch one have a baby. So here you have Alicia, the woman warrior with her blades and crossbow; here you have Amy, the spiritual leader and visionary; here you have one of my favorite new characters, Lore DeVeer, whose mechanical savvy is matched only by her unbridled sensuality; here you have a fourth woman (sorry, can’t tell you who) whose maternal strength is as powerful as any great spectacle of nature. As I wrote The Twelve, I came to understand that these powerful characters were the backbone of the tale. Even more, they are a tribute to all the amazing women I am privileged to know, befriend, and in one very lucky instance, marry.
Hope you enjoy The Twelve. All eyes.

Review

PRAISE FOR JUSTIN CRONIN’S THE PASSAGE
 
Named one of the Ten Best Novels of the Year by Time and Library Journal, and one of the Best Books of the Year by The Washington Post • Esquire • U.S. News & World Report • NPR/On Point • St. Louis Post-Dispatch
 
“Magnificent . . . Cronin has taken his literary gifts, and he has weaponized them. . . . The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”—Time

“Read this book and the ordinary world disappears.”—Stephen King

“[A] big, engrossing read that will have you leaving the lights on late into the night.”—The Dallas Morning News

“[A] blockbuster.”—The New York Times Book Review

“Addictive.”—Men’s Journal

“Magnificently unnerving.”—Entertainment Weekly
 
“Mythic storytelling.”—San Francisco Chronicle
 
“A mesmerizing experience.”—Salon

THE TWELVE, which is the second book of Cronin's towering trilogy, can be read as a complete book, whereas the first book stopped abruptly, like a gasp. However, I urge you to read THE PASSAGE first, because the epic as a whole is a finely calibrated accretion of history, plot and character. The Twelve refers to the twelve "parent" or original virals, the death-row-inmate subjects-turned-virals from "Project Noah," who must be liquidated in order to save the world. The thrust of this book is the hunt of the twelve by Amy, Alicia, Peter, and company.

"All eyes." Two words commonly spoken by the First Colony Watchers, starting in Book one--survivors of the end of the world as we know it. I shiver when I read it now, this sober siren call of fellowship to signal strength and vision, to defeat the virals. It carries an additional, deep and tacit message now--that I honor you, comrade (lover, brother, father, mother, friend, sister, soldier, daughter)--go bravely and stay safe. And keep your eyes forward, against the last remaining light of the day.

Cronin's weighty trilogy, a hybrid of mainstream and literary fiction, isn't just a story about these photophobic vampiric virals, identified variously as dracs, smokes, flyers, jumps, and glowsticks. Rather, it is a portrait of humanity in extremis. Virals, caused by a military experiment gone awry, are a malignant, violent force of annihilation. But what reserves of strength keep us fighting? How do people live in a post-apocalyptic world? Is another end coming? Or a beginning? Is the world even worth saving? THE TWELVE, like THE PASSAGE, has as much anthropology, eschatology, psychology, and philosophy, as it does gore, battle and horror.

Cronin's tilted, unconventional structure has an elegant, understated, and circular pull and propulsion, muted at times, roaring at others. He periodically pauses in the progress of the plot for his intense and luminous miniatures--mystical, sensory flights of prose and backstory elaboration, (although briefer in THE TWELVE), which deepen the intricate plot strands as well as create a vivid landscape, emotionally and physically. Gradually, he braids it all together.

The trilogy isn't linear, but it is, ultimately, progressive. THE TWELVE starts back at year zero (the viral outbreak), providing new characters and expanding on previous ones, as it steadily brings us back to the present, approximately 97 A.V. (After Virus), five years after the end of THE PASSAGE. Peppered here and there are the terse, abstract texts dated 1003 A.V. And, yes, the cliffhanger ending of the first book, as well as all strands, are eventually returned to and understood. The author is in control of his sublime, colossal narrative.

Cronin traveled every mile in the book for his research, and it shows. His sense of place is so atmospheric and sensuous, alive and turbulent, that geography is a character in itself. From the benevolent but arch company of assembled defense forces in Kerrville, Texas; to a terrifying, totalitarian-ruled labor camp in Iowa; and to a handful of scrappy iconoclasts that roam from place to place, the author's conception of a fractured world flashes and flickers with billion-kilowatt energy in every setting.

Cronin's complex character development equals any realistic literary novel. Amy, Alicia and Peter (and others) continue to evolve, although Peter, admittedly, was more of a placeholder in THE TWELVE, notwithstanding a few valorous confrontations with virals. There's no doubt in my mind that he will figure largely in the final book, now that Amy's character has expanded in surprising, startling, and inevitable ways. He and Amy are bound, as was determined in THE PASSAGE. However, as Amy is more revealed, Alicia becomes more eerie and enigmatic, and discovers an unpredictable and, well, animate love. You also unexpectedly learn more about her descendants.

But wait until you meet Guilder, and reconnect with Lila (Wolgast's ex-wife); the pages nearly howl with the portrayal of these two characters. From their skin and viscera to their organs and bowels, I have rarely encountered anyone comparable to Lila and Guilder in a horror or dystopian novel. And there are numerous and brilliant secondary characters, such as Carter, the twelfth original viral, that are graphic and memorable. Greer, from the first book, is now a military prisoner and seer. Grey, a sweeper from the first book, finds an opportunity to amend for his past sins, but it doesn't quite work out the way he planned. Also three-dimensional are the virals, a ripe and sentient life force of consummate destruction. And, there are some new developments in store regarding viral species transformation.

The final book, THE CITY OF MIRRORS, is due for release in 2014. The title is a terrific tease, but I believe I possess the prescience to interpret its significance. It gives me a soulful, excited feeling. I know what it means, where this is headed, and that makes it triply electrifying.