Sunday, July 31, 2011

"Ah" - the breath - the first letter sound of the alphabet


Letter
name
Variants
Modern Hebrew
Ancestral
Alef
א
א
א
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pastedGraphic_1.pdf
pastedGraphic_2.pdf
pastedGraphic_3.pdf
pastedGraphic_4.pdf

pastedGraphic_5.pdf
pastedGraphic_6.pdfALPHA (AL-fuh) First letter of the Greek alphabet.
Akara, the first letter of the Sanskrit alphabet, is the beginning of the Vedic literature. Without akara, nothing can be sounded; therefore it is the beginning of sound.
pastedGraphic_7.pdf
Hiragana
This is the first letter, of the Japanese alphabet, hiragana, A. It is pronounced "Ah" as in the 'a' in "fall, call and ball." 

Archangels and Demons Cover Updates for You Write On Competition



Friday, July 29, 2011

Music as Vibration and Power - The Keynote


Everything has a keynote, The winds, rain, ocean waves, all the sounds of nature plus the cars, factories and the sounds of mankind along with every other sound on our Planet combine to create on composite sound or keynote.
Each individual's keynote is also influenced by the keynote of the astrological and planetary sign under which they were born. Although it manifests in matter, the keynote has a Spiritual Origin. Physically, the keynote emanates from the base of the skull at the medulla oblongata. For those sensitive enough to hear it, it is a droning sound similar to the buzzing of a bee. Eastern mystics call it 'Om' which they also consider to be the sound of the Universe.
 The microcosm is the macrocosm.
Sympathetic Vibration
One simple way to rejuvenate and improve our health is to reinforce or 'tune up' our keynote through the use of sympathetic vibration.
Here is a simplified example of how sympathetic vibration, sometimes call 'resonant frequency', works. If you were holding a tuning fork and a friend stood near you while playing another tuning fork, soon the fork that you are holding would start to vibrate to the same note as your friend's fork. If your friend's note is played long enough loudly enough and aggressively enough, your friend could cause your tuning fork to shatter. Both tuning forks must be of the same pitch or key, otherwise they have no effect on each other. Only tuning forks that are similarly tuned will vibrate together or influence one another.
This is the principle that Joshua used in the Battle of Jericho.
By trumpeting the keynote of the walls, they were able to crumble the fortress.
Sympatric vibration has been understood by the military for ages. Every commander knows not to ever let his soldiers march across a bridge. Instead, they walk. If they were to hit upon the resonant frequency of the bridge, the vibration of their marching feet would literally trample down the bridge, destroying themselves in the process.
Vibration can destroy. But the reverse is also very true.
Playing the keynote in a soothing manner causes everything in the surrounding area that is of the same pitch to resonate. Everything that's on the same vibe begins to harmonize. Scientists established long ago that plants grow faster, larger and healthier when soothing music is played in their presence. Likewise, by listening to relaxing music played at the correct pitch, we strengthen the harmonization of our own keynote. The Spiritual bodies become energized and aligned, which vitalizes the etheric body (which in turn causes the rejuvenation of the whole person).
One of the many ways this is accomplished is by the regulation of brain chemicals like serotonin which are related to feelings of well being peacefulness.
By reinforcing our individual key notes, Soul Music vitalizes and strengthens our Spiritual and physical bodies allowing the Music of the Spheres to truly live within us. The stronger the note, the healthier the Spirit,  the stronger the body and the longer the life.




Music as Vibration and Power - Resonance


Resonance, An object free to vibrate tends to do so at a specific rate called the object's natural, or resonant, frequency. (This frequency depends on the size, shape, and composition of the object.) Such an object will vibrate strongly when it is subjected to vibrations or regular impulses at a frequency equal to or very close to its natural frequency. This phenomenon is called resonance. Through resonance, a comparatively weak vibration in one object can cause a strong vibration in another. By analogy, the term resonance is also used to describe the phenomenon by which an oscillating electric current is strengthened by an electric signal of a specific frequency.
An example of resonance is provided by a motor that causes vibration in a piece of furniture in another part of the same house. These vibrations occur because the furniture has a natural frequency equal to the frequency of the vibrations set up by the motor. The furniture is said to be in resonance with the motor. Resonance can also be observed in an automobile when a certain partan ash tray, for examplevibrates when the car is traveling at a certain speed. The ash tray is in resonance with the vibrations of the engine at that speed.
Mechanical resonance can produce vibrations strong enough to destroy the object in which they occur. For example, soldiers marching over a bridge can set up extreme vibrations at the bridge's natural frequency and shake it apart. For this reason soldiers break step to cross a bridge. In 1940 wind gusts at Puget Sound Narrows, Tacoma, Washington, caused a suspension bridge to vibrate at its natural frequency and the bridge collapsed.
In music, resonance is used to increase the intensity (loudness) of a sound. The comparatively weak vibrations produced at the end of an organ pipe, for example, cause a column of air in the pipe to vibrate in resonance, thus greatly increasing the loud-ness of the sound. This principle also applies to the human voice, in which the vibrations of the vocal cords are reinforced by resonant vibrations in the oral and nasal passages.
Electrical resonance is used to tune radios and television sets. Tuning consists of establishing a circuit with a resonant frequency equal to the assigned frequency of the desired station.

Music as Vibration and Power - Power vs Force


Now, are there certain types of music that carry high frequency of vibrational energy? For example, I know opera and classical, or there's even heavy metal or rock. There are certain emotions that people experience when listening to music.  What's your feeling; are there any types of music that increase the energy vibration, or carry a high frequency of energy vibration?
Mark: In the book Power Versus Force (by David R. Hawkins) the author develops a calibration system from 0 to 1000, and zero being the absolutely worse thing you can think of in human life and 1000 being like Jesus and Buddha. In his research and study, everything that was over 250 on the ranking scale, gave energy; everything that was below 250, took energy away.
They did a test where they calibrated rap music—rap music calibrates below 250, whether the individual being tested likes rap music or not, and actually takes energy away. They calibrated Mozart, which has been scientifically proven to have some benefits, hence Baby Mozart and all those wonderful pieces. The scientists tested Mozart's music, and Mozart's music does not do what they were looking for; it does not shield people from the effects of energy interrupters, which was the key component in their tests.
There are pieces of music that give energy. We've all heard them before. Music's a powerful tool, whether or not it has frequency energy in it or not. It has a way to access the subconscious mind like nothing else, especially if it's instrumental, where there are no words involved. Music has the ability to bypass the left critical thinking part of the mind, and go directly to where all change really takes place.

Music as Vibration and Power - Singing Volcanos


Concerts by two volcanic composers could aid efforts to protect people in risk areas worldwide, say Italian researchers.
That help, however, is unlikely to come from record sales.
"We are talking of two special composers, Mount Etna in Sicily and Mount Tungurahua in Ecuador," researcher Domenico Vicinanza at CERN in Geneva, told Discovery News.
The researchers made the volcanoes "sing" using a new technology that transforms a volcano's behavior into sound waves.
"Different melodies represent various stages of volcanic activity," Vicinanza said. "Our goal is to detect the one announcing an imminent eruption."
Known as "sonification," the technology makes it possible to convert low-frequency seismic waves into frequencies audible to the human ear.
"Sonification...is particularly useful when dealing with complex, high-dimensional data," Vicinanza said. "People find it easier to detect complex patterns by the ear rather than the eye."
Vicinanza and colleagues at the Italian National Institute of Nuclear Physics (INFN) first tested the sonification software on Sicily's Mount Etna, Europe's highest and most active volcano. They are now expanding the research to Ecuador's recently erupted Tungurahua.
The researchers used a seismogram — the graphical records of the earth's seismic waves — to score the volcanoes's seismic movements as melodies.
"Basically, we put the seismogram onto an empty score, and overlay the contours with musical notes. The result is a melody which follows exactly the pattern of the seismogram," Vicinanza said.
Though "each volcano has its own music style," the researchers hope to find distinctive patterns in the music of Mount Etna and Tungurahua.
"These common patterns could be the signature tune of an imminent eruption," Vicinanza said.
Since the amplitude of the musical intervals reflects the amplitude of the seismic waves, the music is smooth when the waves are small — indicating that the volcano is quiet. The tune becomes nervous, scattering through high and low tones, when an eruption is approching.
"We can say that the middle part of the piano keyboard represents the safe zone. On the contrary, the higher and lower keys represent a worrying picture," Vicinanza explained.
According to volcanologist Thomas Wagner of the National Science Foundation in Arlington, Va., sonification applied to volcanoes could be pretty important.
"We're at the earliest stages of predicting eruptions and looking at the specific details of seismic or infrasound could help us," Wagner told Discovery News.

Archangels and Demons Chapter 1 Sixth section Japanese translation


アルテア、まや、ベン、アリスの4人は皆、ブリッジフォード中高一貫校に在籍しており、それぞれ、アルテアはイギリス(休暇が始まった今はフランスに居る)、まやはニュージーランド、ベンはアメリカ、アリスは日本から参加している。
仮想世界のシステムを通して世界中から教育を受けられる仕組みだ。
教師のベラはイギリスのオクスフォードから授業を配信している。彼女の専門は、新しい科学の種類に分類されたe-音楽学で、音楽に繋がりのある原子力物理とエネルギーの研究をしている。



Altair, Maia, Ben and Alice attended BridgeFord like normal middle and high school students but each from their respective countries, Altair from England (although he was based in France for the holidays), Maia from New Zealand, Ben from USA and Alice from Japan.
Bella, their "teacher" was an E-musicologist, a new breed of scientist researching nuclear physics and energy combined with music, based in Oxford, England. 



Astrology of the Angels - Book Of Raziel

ASTROLOGY OF THE ANGELS

Astrology
Book of Raziel
Aries
Ovavorial
Taurus
Lehetial
Gemini
Phenial
Cancer
Zorial
Leo
Bereqial
Virgo
Chenial
Libra
Tzorial
Scorpio
Gabrial
Sagittarius
Medonial
Capricorn
Shenial
Aquarius
Gabrial
Pisces
Romial

Thursday, July 28, 2011

Archangels and Demons Chapter 1 Fifth section Japanese translation


「もう寝る時間だね!」アリスは、せっかくのまやの誕生日にこの話題について話したくなかった。
早くおいでと言いたげにきれいにセットされた自分のベッドにアリスは横たわった。東京のアリスのベッドに、ニューヨークにいるベンも潜り込んできた。二人は体を寄せ合った。
「ん〜〜」ベンがアリスの体をなでるとアリスが声を出す。
「そこの二人!私の誕生日だよ、ちょっとは気をつかいなさい。」とまやは言った。
「新曲は後で聞くことにするよ。アルテアのラブソングだから、ゆっくり聞いて、まや。僕たちはログアウトするね。」疲れた声でベンは言った。東京、ニューヨーク、オークランドとパリでは大きな時差がある。
ベンとアリスがまやにおやすみの投げキスをすると二人の映像が消えた。
「おい、パーティーは始まったばっかりだぞ。」アルテアが叫んだ。
「ほっときなよ。こっちの方が、もっと、、、もっと楽しいでしょ。」まやはアルテアにディープキスをした。長いキスだった。
「例の新曲は?」
そこへまやの部屋ドアを激しく叩く音が聞こえた。
「そこでうるさくしてるガキ、だまりな!あた〗達みたいに静かに過ごせないかね、この子は?」アヴァ・グライプがドアの外側でどなった。
幸運にも、まやはドアにセキュリティーロックをかけていた。
現代の学校制度のポリシーだった。勉強している時は誰も部屋に入れないようになっている。まやは誕生日パーティーを勉強会ということにしておいた。もっともアヴァ・グライプは気に入らないことがあると勉強中だろうがおかまいなしにドアを叩くのだが。





"Time for bed!" Alice didn’t want to head down this line of conversation on Maia’s birthday. Alice's futon was already laid out. She was lying full length in Tokyo, next to Ben, still in New York. They snuggled into each other.
“Mmm,” said Alice as Ben’s hands explored her body.
“C’mon you two,” said Maia. “This is supposed to be my birthday. Can’t you at least...”
"We’ll listen to the song remotely. Anyway it’s your love song. Shouldn’t intrude. Logging out," said Ben. After all it was 12 hours difference between Tokyo and New York.
Ben's image disappeared beside Alice but not before they both blew Maia an affectionate kiss.
"Come back here you wasters," yelled Altair.
“Oh leave them...you’re much...more...interesting.” Maia kissed Altair more deeply and felt his wet tongue in her mouth. It was a long kiss.
“Now how about that song?”
There was a loud rap on her door.
“Shut the hell up in there you little brat. Can’t you keep it private like the rest of us?” Ava Gripe was just outside her door. Luckily Maia had it securely locked.
Part of modern school policy. A rule she used to her best advantage. Privacy for all study.



Archangels and Demons Chapter 1 Fifth section Japanese translation

「もう寝る時間だね!」アリスは、せっかくのまやの誕生日にこの話題について話したくなかった。
早くおいでと言いたげにきれいにセットされた自分のベッドにアリスは横たわった。東京のアリスのベッドに、ニューヨークにいるベンも潜り込んできた。二人は体を寄せ合った。
「ん〜〜」ベンがアリスの体をなでるとアリスが声を出す。
「そこの二人!私の誕生日だよ、ちょっとは気をつかいなさい。」とまやは言った。
「新曲は後で聞くことにするよ。アルテアのラブソングだから、ゆっくり聞いて、まや。僕たちはログアウトするね。」疲れた声でベンは言った。東京、ニューヨーク、オークランドとパリでは大きな時差がある。
ベンとアリスがまやにおやすみの投げキスをすると二人の映像が消えた。
「おい、パーティーは始まったばっかりだぞ。」アルテアが叫んだ。
「ほっときなよ。こっちの方が、もっと、、、もっと楽しいでしょ。」まやはアルテアにディープキスをした。長いキスだった。
「例の新曲は?」
そこへまやの部屋のドアを激しく叩く音が聞こえた。
「そこでうるさくしてるガキ、だまりな!あたし達みたいに静かに過ごせないかね、この子は?」アヴァ・グライプがドアの外側でどなった。
幸運にも、まやはドアにセキュリティーロックをかけていた。
現代の学校制度のポリシーだった。勉強している時は誰も部屋に入れないようになっている。まやは誕生日パーティーを勉強会ということにしておいた。もっともアヴァ・グライプは気に入らないことがあると勉強中だろうがおかまいなしにドアを叩くのだが。

"Time for bed!" Alice didn’t want to head down this line of conversation on Maia’s birthday. Alice's futon was already laid out. She was lying full length in Tokyo, next to Ben, still in New York. They snuggled into each other.
“Mmm,” said Alice as Ben’s hands explored her body.
“C’mon you two,” said Maia. “This is supposed to be my birthday. Can’t you at least...”
"We’ll listen to the song remotely. Anyway it’s your love song. Shouldn’t intrude. Logging out," said Ben. After all it was 12 hours difference between Tokyo and New York.
Ben's image disappeared beside Alice but not before they both blew Maia an affectionate kiss.
"Come back here you wasters," yelled Altair.
“Oh leave them...you’re much...more...interesting.” Maia kissed Altair more deeply and felt his wet tongue in her mouth. It was a long kiss.
“Now how about that song?”
There was a loud rap on her door.
“Shut the hell up in there you little brat. Can’t you keep it private like the rest of us?” Ava Gripe was just outside her door. Luckily Maia had it securely locked.
Part of modern school policy. A rule she used to her best advantage. Privacy for all study.

Tuesday, July 26, 2011

Maia and Altair - latest illustration by Chihiro Tani

B.O.T.A.



Note : The above card, Temperance is from the B.O.T.A. Tarot.
B.O.T.A. emphasizes that the Tarot is for meditation and not for fortune telling.
They encourage students to color their own cards thus "making them their own."

The link for B.O.T.A. is
http://www.bota.org/

and for B.O.T.A. Europe is
http://www.botaineurope.org/

The card below is colored for comparison.


o this Key is attributed the Intelligence o f Probation, or Trial. This refers to the testing through which every aspirant must pass before he can reach the heights of Initiation. Its object is to determine his temper, or strength. Thus you see that Temperance refers to the act of tempering, or the making of a properly balanced mixture. It has a distinct reference to equilibration, for the Initiate must be perfectly balanced with reference to all of his vehicles. He no longer goes to extremes, but has mastery of the pairs of opposites, because he invariably chooses the middle path between two extreme courses of action.
The rainbow represents the differentiation of light into color by means of water. The angel is androgynous and represents the Higher Self. He wears the symbol of solar energy upon his brow. The seven-pointed star on the breast represents the works of man, because the seven-sided figure cannot be drawn geometrically, but requires the aid of measuring tools. The fire from the torch falls upon an eagle, symbol of water, and the water from the vase falls upon a lion, symbol of fire. Thus we see a representation of the union of opposite forces in opposite directions. The twin mountain peaks are wisdom and understanding, and the crown above them represents thePrimal Will.

Name
Temperance
Key Number
14
Hebrew Letter
Samekh
Signification
Prop
Color
Blue
Note
G #
Gematria
60
Astrology
Sagittaruis
Alchemy
Fiery








Tree of Life and Hebrew

Archangels and Demons Chapter 1 Fourth section Japanese translation


「そんなのわかんないよ、まや。生まれつきかな?」
「アルテア、新曲は?約束したでしょ。」今日の主役は私よ、と言いたげな表情でまやはカフェの席に座って言った。
「忘れてないよ。俺たちのファーストシングルだ。」アルテアは誇らしげに言うが、アリスは笑った。
「二人とも落ち着いて。スーパースターとか何とかってわけじゃないんだからね。どっちかっていうとダサいバンドだよ、私たち。」
その時、ベンがあくびをしながら現れた。彼が住むニューヨークは夜が更けている。
「あれ、もうはじまってる?まや、遅れてごめん。ちょっとてこずってね。誕生日おめでとう!」ベンはコイン程の小さな道具をテーブルに置いた。
「これ何?私、刀は集めてるけどコインは興味ないよ。」
「知ってるよ。これは僕の発明品なんだ。使ってみて。」
まやがそのコイン型装置の表面を押すと、ベンの顔と声が音楽と一緒に装置の上から浮き出て来た。
「この装置は魔法のランプの様にまやの願いを叶えます。珍しい刀や見つけるのが難しい剣を探すお手伝いをします。」と装置の中のベンの声が言った。
「かっこいい、ベン!あんたってほんと賢いよね。」アリスがベンにキスをしながら言った。「今度はまやのダーリンの曲の番だよ。」
「ベン、ありがとう。アルテアが私のために作ったファースヒットトシングルを披露するとこだったの。」言ってからまやは笑った。
「エージェントなしじゃビックなスターにはなれないけどね。」
「いつか成功するって。」アルテアは歯を見せて微笑んだ。
「ベンと俺がエージェントに関しては動いてるから。」
そこに居心地のわるい沈黙が流れた。
エージェントの問題はバンドの中で常に解決されない論争だった。
「それって賢明なの?」まやは言った。
バンドを世界で成功させるにはエージェントを持たなければ話にならないが、それはフェイスとつながることを意味する。エージェントは娯楽から警備までのすべてを牛耳っていた。仲介者であるエージェントが、バンドが成功するのに必要なコンタクトをフェイスから探し出してくる。フェイスには厳しいしきたりがあり、従わない時には死人や行方不明者が出るという噂がある。まやのバンドメンバーはそれに関わりたいとは誰も思っていなかった。




“Don’t know girl. Glitch in the matrix?”
“What about the song Altair? You promised me a song.” Maia was sitting now, pouting, trying to look offended. It was her birthday after all.
“Yes, I did promise. Our first single.” Altair looked so proud that Alice laughed.
"Guys, just chill. It's not as if we're superstars or anything. Our band kind of sucks."
Ben appeared yawning, it was getting late in New York.
“Oh, you’ve started already. Sorry I’m late Maia. Been working on something. Happy Birthday!” He put down a small device about the size of a dime.
“What’s that?” asked Maia. “You know I’m into swords Ben, not coins.”
“Yep. This is one of my own creations. Hit it.”
She pressed the small dimes surface and music began to play followed by Ben’s voice and face appearing over it in the room.
“For all true followers of the Blade. Your own personal rare sword finder. Where to procure them, even the ones the Faith won’t let you find...follow the voice prompts to begin.”
“Cool darling. You’re so smart,” said Alice kissing Ben. “Now let the girl hear her lover boy’s song...”
“Thanks Ben,” said Maia. “Altair was just about to play me my love song...and first hit single.” Maia laughed. “Can’t see us being big music stars without an Agent.”
"One day...one day...you'll see," said Altair with a grin.
"Ben and I are working on the Agent thing."
There was an awkward silence.
Agents had been a moot point in the group.
“Is that wise?” said Maia.
They knew they had to have one to be successful in the world but it meant getting entwined in The Faith. Agents were part of everything, from entertainment to security. They were the mediators, giving you the necessary contacts in the governing body, The Faith. There were many rumors, even whispers of murders and disappearances if you didn’t follow protocol. And none of them wanted that.





Monday, July 25, 2011

Archangels and Demons Chapter 1 Third section Japanese translation

次に徐々に姿を現したのはアルテアだった。ワインボトルを持ったアルテアと供にセットされたテーブルと一人のウェイターも現れた。
「アリスが一番乗りだったよ。」
まやはそう言うと、アルテアに長いキスをした。
アルテアの手がそろりそろりとまやの腰におりてきた。
「ちょっと、ここじゃだめだよ。みんながいるでしょ。あとで。」
まやはまたキスをすると、アルテアは微笑んだ。
「まやの誕生日プレゼントに何がいいかずっと考えてたんだけど、バンドの新曲と名前はどう。」
「バンドの名前?本当?」
「うん、大天使っていうんだけど。」
確かに、うちらのバンドにぴったりだ。まやは思った。
「アルテア、それ最高だよ!」まやは手を伸ばしてアルテアにハグをした。
フレンチカフェの紙ナプキンにバンドの名前を殴り書きすると、アルテアはそれをまやに手渡した。まやの手に渡る前にナプキンがアルテアの手を離れて、ナプキンが宙に浮いた。ナプキンを掴もうとアルテアがもがくと、バランスをくずして後ろにあったテーブルと配膳中のウェイターを押し倒してしまった。
「おおっと。」ウェイターが運んでいたワインがまやの部屋にまで飛び散り、床にこぼれた。
「ごめん!」
アルテアはまやとデートするといつも緊張してなにかと失敗する。
まやはくすくす笑うとぬれたナプキンを拾った。かろうじて乾いている部分に
「いたずらな黒い天使?それともピュアな白い天使?」と殴り書きをした。
「いたずらな天使なんているのか?」アルテアはいたずらな含み笑いをした。
「黒い天使役はまやだな。まやは黒が似合うし黒はセクシーだ。」
「ふたりとも、もういいんじゃないの、どっちでも。まずはこのめちゃくちゃになったデートをもっとロマンチックにしようよ。」二人のことをいつもからかう癖がついているアリスは言った。
アリスのアパートからふきんを持ってくると、アリスの鼻がムズムズし始め、その瞬間にまやの部屋に飛び散った汚れは消えていた。
「あれっ、今のどうやってやったの?」ナプキンも床も完全に乾いていた。
ウェイターは時が止まったように動かなかった。
「どうって、何を?ちょっと掃除の手伝いをしただけでしょ。」アリスは床をチラっとみて肩をすぼめた。アリスの周りではいつも不可思議なことが起こる。

Maia wasn’t going to make that same mistake again.
Altair was next, materializing into the room with a waiter, holding a bottle of wine, complete with table and two places set and ready.
“Alice beat you to it,” said Maia.
She gave him a long kiss.
She felt his hands sneak down towards her bottom.
“Hey, not here, not in front of the others. Later....”
She kissed him again and he smiled.
“Got it. Been thinking about the perfect gift for you. So here you go. The song and the name.”
“The band name? Really?”
"Yep, The Archangels."
Yes, that was a perfect name for it.
“Altair, that’s brilliant!” Maia reached out to give him a hug.
Altair scribbled it down on the corner of a napkin from the French cafe he still had one foot in and passed it to Maia. It floated in front of her for a moment and he scrabbled to get it, managing to knock the table and the waiter serving it from behind.
“Oops,” said Altair as the waiter’s wine spilled over into Maia’s room. “Sorry!”
He always got nervous on dates with Maia.
She giggled and scribbled back on the half of the napkin not soaked in wine.
"Black or white angels?"
"Didn't know there were any black ones," said Altair with a sly smile.
"Or would you like to be one anyway? You always look so sexy in black."
"Look, you two, it's just the name of a band. Stop squabbling," said Alice who couldn’t resist teasing Maia about Altair. “Let me help with the date disaster.”
She reached out a hand with a cloth from her apartment to help and the mess disappeared.
“Hey, how’d you do that?” said Maia. The napkin was dry, as was the floor underneath. The waiter looked like he’d never moved.
“Do what?” asked Alice. “I was just trying to help”
She saw the clean floor and shrugged. Strange things always happened around Alice.